 Following our first dual Jeff Recommended season (EVERYBODY and Little Women the Musical), Brown Paper Box Co. is excited to announce our 2019/2020 season. The season begins in May with Holding On, a 2-night community-focused cabaret at Under the Gun Theater, coordinated by company Artistic Director Kristi Szczepanek and Artistic Associate Samm Gatwood. In summer 2019, BPBCo. presents the Midwest premiere of L M Feldman’s Grace, or the Art of Climbing directed by Artistic Associate Erin Shea Brady at Stage 773. With music direction by Kimi Arquines and co-hosted by BPB co-founder M. William Panek, Come Rain or Come Shine: A Judy Garland Cabaret comes to Andersonville this fall to celebrate 50 years of rainbows and classic melodies. 2019/2020 wraps up with a Winter musical to be announced soon! “We've been reflecting on the power and support of community here at BPBCo., so we're leaning into and celebrating community’s ins and outs this season,” says Artistic Director Kristi Szczepanek. “Whether it’s in Lakeview, Andersonville, or any neighborhood in between, our ninth season focuses on telling stories about the many ways one can lean on - and be lifted up by - individual communities.” Additional information including performance on-sale dates can be found by visiting www.BrownPaperBox.org. HOLDING ON: A COMMUNITY CABARET Sunday, May 5 & Monday, May 6, 2019 at 7:30pm Presented at Under the Gun Theater Art, like life, is "a solo sport... with partners.” Inspired by the first play of the season, Grace, or the Art of Climbing by L M Feldman, Brown Paper Box Co. invites you to enjoy a night of songs, stories, and laughter performed by company members and friends. Join our community of artists side-by-side as they perform in duos and groups as we continue to hold on & support one another when times feel tough. Admission $15 presale / $20 door. Cash bar is available. Coordinated by Samm Gatwood* & Kristi Szczepanek* and Produced by Anna Schutz*. The Midwest Premiere of GRACE, OR THE ART OF CLIMBING by L M Feldman June 6-July 7, 2019 at Stage 773 Faced with a painful chapter in her life and fighting the inertia of depression, Emm decides to enter the world of competitive rock-climbing. Her quest through the rugged and humorous terrain of physical training and personal relationships charts the journey of a young woman suspended between love and loss, strength and fear, fathers and daughters, and the ardor and grace of being human. Brown Paper Box Co. is proud to present the Midwest premiere of this Barrymore Award Best New Play nominee and Kilroys List honorable mention. Directed by Artistic Associate Erin Shea Brady*. COME RAIN OR COME SHINE: A JUDY GARLAND CABARET Friday, September 20 and Saturday, September 21, 2019 at 7:30pm Presented at Mary’s Attic It’s been 50 years since the world lost the one & only Judy Garland, and 50 years since the modern gay liberation movement began at the Stonewall Inn in New York’s Greenwich Village. Come Rain or Come Shine is a celebration of an international icon, a queer movement, and exactly how far the LGBTQ+ community has come over the past 50 years. Join Brown Paper Box Co. as we travel down a yellow brick road of joy, heartbreak, drag queens, and song. Bring your best Judy and sing along to Ms. Garland’s biggest hits as performed by BPBCo. members, past participants, friends of the company, and a few surprise guests. Admission $15 presale / $20 door. Full service bar & dining options available throughout the evening. Coordinated by Kimi Arquines & M. William Panek*. 2019/2020 SEASON STAFF & CREATIVE BIOS Kimi Arquines (Come Rain or Come Shine Coordinator & Music Director) is a freelance music director, sketch writer/performer, and singer-songwriter who is heavily involved in the Chicago comedy scene. She has been featured in the Chicago Musical Improv Festival, Chicago Sketch Comedy Festival, Chicago Women's Funny Fest, San Francisco's Femprovisor Fest, and more! You can find Kimi on her Facebook @kimiarquinescomedy or Instagram @kimikimi_more. Erin Shea Brady* (Grace Director) is thrilled and grateful to be directing Grace, or the Art of Climbing. Directing credits include: Everybody (Brown Paper Box Co.) and Cabaret, Annapurna (staged reading) and The Rise and Fall of Little Voice (No Stakes Theater Project). Assistant Directing and Dramaturgy credits include productions at the Goodman, Jackalope, TimeLine, A Red Orchid, Northlight, and Remy Bumppo. Erin is a graduate of the directing program at Columbia College Chicago, and participated in the internship program at Steppenwolf, Jackalope's Playwright's Lab, and Goodman's Criticism in a Changing America bootcamp. Erin is a company member with BPBCo. & is currently pursuing her MSW at Loyola. She is a contributing writer & critic at PerformInk & Newcity Stage. L M Feldman (Grace Playwright) is a queer, feminist playwright (and circus artist) who pens plays that are wildly theatrical but deeply intimate. Her plays include THRIVE, OR WHAT YOU WILL (Page 73 Residency, New Georges Audrey Residency); ANOTHER KIND OF SILENCE (Magic Theatre Virgin Play Festival, PlayPenn Conference, Playwrights Realm Fellowship, FEWW Prize Honorable Mention); AMANUENSIS (Georgetown University); A PEOPLE (Orbiter 3, Jewish Plays Project); THE EGG-LAYERS (Jane Chambers Honorable Mention, New Georges/Barnard College commission); GRACE, OR THE ART OF CLIMBING (Denver Center, Art House Productions, Nice People Theatre, ATCA/Steinberg New Play Award Nomination, Barrymore Nomination); ensemble-devised works, including GUMSHOE (New Paradise Labs + Free Library of Philadelphia + Rosenbach Museum), WAR OF THE WORLDS: PHILADELPHIA (Swim Pony + Drexel University), AND IF YOU LOSE YOUR WAY, OR A FOOD ODYSSEY (The Invisible Dog, New York Innovative Theatre Award Nomination), and others; and a baker's dozen of short plays. A graduate of the Yale School of Drama, L is also a New Georges Affiliated Artist, a devised-work collaborator, a teacher of playwriting (Bryn Mawr College, Lantern Theatre/Jefferson Medical School, PlayPenn), and a freelance dramaturg. L has lived in seven cities and is now based in Philly – where she is an InterAct Core Playwright and a proud member of Orbiter 3. Samm Gatwood* (Holding On Coordinator) is a freelance actor, director and choreographer who can be found throughout the Chicagoland area with her beloved bulldog Elphaba. She graduated with her degree in Musical Theatre from Drake University where she developed a passion for teaching and choreography. She spends the vast majority time as a teaching artist, but also loves to spend time on and around stage; some of her favorite credits include The Wild Party (Queenie), Rock of Ages (Waitress #1/Assistant Choreographer/Fight Captain) and Jesus Christ Superstar (Choreographer). samanthagatwood.com M. William Panek* (Come Rain or Come Shine Coordinator) is a proud BPBCo. founding member and graduate of the University of Illinois' Theatre Department. Director: Little Women the Musical; Now. Here. This.; [title of show] (Jeff Award Nominated); A New Brain; Aloha, Say the Pretty Girls; Godspell; To Tree (world premiere); Reefer Madness! The Musical in 2010, 2011, and 2012. Casting Associate: EVERYBODY; The Baltimore Waltz; Julius Caesar; Spike Heels. Cabaret: "Positively Present," "Mary'z With a Z," "Proud at Mary's" at Mary's Attic; "Spring Forward Fail Back" at Uncommon Ground; "BPB Yearbook" "Character Breakdown" at Davenport's. He recently collaborated with Zach Zimmerman (Luke Babylon: Christian Magician and Spell) at iO Chicago, iO New York, The Duplex New York, and the Annoyance Theatre. William served as an artistic associate with The Orchard Project in Hunter, NY, a production assistant for the 24-Hour Musicals at Joe's Pub, and the business management assistant at the Williamstown Theatre Festival. He can be found on Twitter and Instagram @mwilliampanek. Anna Schutz* (Holding On Producer) is a proud founding member of Brown Paper Box Co. She holds a BFA in Acting from the University of Illinois at Urbana-Champaign and is currently working towards her Masters in Nonprofit Management at DePaul University. She has worked in Chicago as an actor, singer, & arts administrator for the last decade. Backstage, she has work with Brown Paper Box Co. as a producer, production manager, and stage manager. Onstage, she has performed in their plays, musicals, and cabarets. As a playwright, Anna's first script, Prodigy, was selected for the League of Chicago Theatres' Bright Angel Creative Retreat in 2017 and then received a staged reading co-sponsored by DePaul University's Women's & Gender Studies Department. Prodigy was most recently selected for Dandelion Theater's Reservoir Series in May 2019. More information can be found here: www.annaschutz.com Charlie Sheets* (Graphic Designer) is currently residing in (suspiciously) always sunny California. He’s been designing for over a decade—and has the arthritis to prove it! Charlie’s worked in a variety of industries including transportation, retail, automotive, healthcare, and consumer technology/marketing—you might be using something he’s designed! His work with the Brown Paper Box Co. includes designs for productions and events since 2012, as well as website and social media graphics and consultation. To see Charlie's portfolio, visit charliesheets.com. Kristi Szczepanek* (Holding On Coordinator) joined Brown Paper Box Co. after performing as the understudy in Now. Here. This. She has since been seen with BPBCo. in "The Broad-Way: A Ladies Cabaret,” created and coordinated "Positively Present: An Uplifting Cabaret," and recently served as dramaturg for Little Women the Musical. She served as the Management and Development Assistant at Off-Off-Broadway's Ensemble Studio Theatre, helping coordinate events like the Sloan Project and their annual Marathon of One Act Plays. Chicago companies she's had the pleasure of working with both onstage and off include Quest Theatre Ensemble, Tympanic Theatre Company, Chicago Dramatists, and the Something Marvelous Festival. kristisz.com. * denotes Brown Paper Box Co. members
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GRACE, OR THE ART OF CLIMBING
Brown Paper Box Co. Playwright: L M Feldman Director: Erin Shea Brady Faced with a painful chapter in her life and fighting the inertia of depression, Emm decides to enter the world of competitive rock-climbing. Her quest through the rugged and humorous terrain of physical training and personal relationships, GRACE, OR THE ART OF CLIMBING charts the journey of a young woman suspended between muscularity and vulnerability, falling and climbing, parents and children, and the ardor and grace of being human. AUDITION DATES Saturday, March 2nd, 2019: 10am - 4pm Sunday, March 3rd, 2019: 10am - 4pm CALLBACKS Monday, March 4th, 2019: 7pm - 9pm *Callbacks will include movement work. Please dress accordingly. LOCATION TBD PAY Stipend BREAKDOWN SPECIAL NOTE ON CASTING: GRACE will be comprised of a company of performers of varying generations, gender- and ethnic -identities, and abilities. The character breakdown below is a suggestion from the playwright, however BPBCo. welcomes actors of all genders to audition. We have been in conversation with the playwright and they have enthusiastically encouraged open casting. SPECIAL NOTE ON MOVEMENT: GRACE will involve significant movement work, choreography, and physical activity. Please make the auditioners aware of any physical strengths and limitations. All actors may be involved in climbing scenes. Previous climbing experience is not necessary, however if you are familiar, please let us know. CHARACTERS:
TIME COMMITMENT Rehearsals: Tuesday - Friday evenings and Saturday afternoons starting the week of April 22nd Tech and moving into the theatre starts the week of May 27th, 2019. Previews: June 6 - June 8, 2019 Opening: June 9, 2019 Regular Run: June 10 - July 7th, 2019. Thursday - Sundays, with 2 Monday performances, June 10 and 17. MATERIAL TO PREPARE Sides will be provided with your audition slot HOW TO REQUEST AN AUDITION SLOT Please email your head shot, resume, and availability across our 2 audition days to casting@brownpaperbox.org.  What is your role in Little Women? I understudy the role of Jo March!
Which March sister do you most identify with? Definitely Jo. Little Women was written in the 19th century, but continues to be a beloved story. What do you think makes it so appealing? There is something really sweet and pure about the March sisters. They're just so endearing and you're rooting for them as they go through very human things. No matter how old the story is, that's something any reader can relate to. Do you have a favorite story from childhood or a great book that you've read recently? I was (and still am) a big fan of the Wizard of Oz! Jo's sanctuary is her attic. Tell us about a place where you find sanctuary. I've recently found the yoga studio to be a great place of sanctuary for me! It's really helpful for me to get out of my apartment to reset my mind and body a few times a week. Some things are meant to be.... revealed! What's a secret you've been keeping? I actually knew very little about Little Women before this! I hadn't read the book or seen any of the movie versions. I feel like it's just one of those stories everyone seems to already know, so I don't know how I had no exposure to it previously other than the songs I had heard from the musical and that one episode of Friends where Rachel makes Joey read it. I'm glad this show gave me a reason to read the book, though! I tend to read only contemporary novels, so it's been a breath of fresh air to dive into the world of the March sisters. Tickets for LITTLE WOMEN THE MUSICAL are on sale now through February 9, 2019: https://dime.io/events/little-women  What is your role in Little Women?
Amy Which March sister do you most identify with? I am the middle child, sandwiched between two brothers. I think being the only daughter in my family, I identify with Amy in many ways. There are a lot of things I was spoiled with because I was the only daughter. However, I also identify with Meg. Being an older sister to one of my brothers, I have found that mentorship is something that comes with being an older sibling. Little Women was written in the 19th century, but continues to be a beloved story. What do you think makes it so appealing? The feminist aspect of the story makes it a story that we want to share, especially today. Do you have a favorite story from childhood or a great book that you've read recently? Harry Potter, hands down. I've thought about that a lot throughout this process. Even though Jo's stories can have such a melodramatic flourish, they also have a world of their own. Harry Potter always took me to my own world. I'm still waiting for my letter from Hogwarts... Jo's sanctuary is her attic. Tell us about a place where you find sanctuary. I find sanctuary in yoga. It's my me time, my time to look inward and my time to release any unnecessary stress or anxiety. Some things are meant to be.... revealed! What's a secret you've been keeping? I don't have many secrets... I'm a very open person... Maybe my age? Mwahaha... ;-) Tickets for LITTLE WOMEN THE MUSICAL are on sale now through February 9, 2019: https://dime.io/events/little-women  What is your role in Little Women?
I play Meg March Which March sister do you most identify with? I see pieces of myself in each of the sisters, but probably Meg. She and I share a nervous energy and a deep loyalty to those we love. Her anxiety about Annie Moffat's St. Valentine's Day Ball... Well, it just REALLY resonates with me. Little Women was written in the 19th century, but continues to be a beloved story. What do you think makes it so appealing? At the time it was published, there was so much messaging about the "right" and "wrong" ways to be men and women. So many published gendered rules about manners and "gentility." We're obviously still today dismantling a lot of those limiting societal norms, so it's very cool to see how Little Women rebelliously provided a snapshot of what actual people were (and still are) like: varied, unique, flawed, ambitious, messy, brave, etc. The book also just radiates warmth. Reading it makes you feel cozy and safe. Do you have a favorite story from childhood or a great book that you've read recently? I love books of personal essays, and David Sedaris is my favorite author in that category. I'm currently reading Busy Philipps' and Jeff Tweedy's new books, and both are great. Jo's sanctuary is her attic. Tell us about a place where you find sanctuary. A long walk always clears my head and calms me down. Some things are meant to be.... revealed! What's a secret you've been keeping? I don't kill house centipedes in my apartment. Yes, they're terrifying, but they actually eat ALL other bugs, including spiders and roaches! If you see them, it means there are probably some other bugs around your place, so I try to just relax and let them do their thing. There are exactly no other topics that I am this chill about. Tickets for LITTLE WOMEN THE MUSICAL are on sale now through February 9, 2019: https://dime.io/events/little-women  We support the hundreds of federal workers in and around Chicago currently furloughed as a result of the government shutdown. Federal employees with a valid government ID can enjoy a free ticket to select performances of our Jeff-recommended Little Women the Musical:
Monday, January 21 @ 7:30PM , Friday, January 25 @ 7:30PM, Saturday, January 26 @ 3:30PM, Saturday, January 26 @ 7:30PM, Thursday, January 31 @ 7:30PM, Friday, February 1 @ 7:30PM, Saturday, February 2 @ 7:30PM, Sunday, February 3 @ 3:30PM, and Thursday, February 7 @ 7:30PM. Seats are based on availability and tickets must be acquired in person at the Box Office (1802 W Berenice Ave., Chicago, IL 60613) the hour before the preferred performance. One (1) free ticket per government ID. For ticket availability, please visit www.BrownPaperBox.org or https://dime.io/events/little-women.  What is your role in Little Women?
John Brooke Which March sister do you most identify with? Jo. She’s ambitious and dedicated to the pursuit of her dreams. That’s me. Little Women was written in the 19th century, but continues to be a beloved story. What do you think makes it so appealing? It’s about family and love. Those timeless themes are universal. Do you have a favorite story from childhood or a great book that you've read recently? Childhood memory: Christmas was always a special time. Putting up the Christmas tree, blasting Mariah Carey’s Merry Christmas, and spending time with family. Recent Book: The Mother of Black Hollywood by Jenifer Lewis. I love hearing the life stories of legendary performers. Highly recommended. Jo's sanctuary is her attic. Tell us about a place where you find sanctuary. Home. For me, home has always been a place of relief, acceptance, and love. Home is wherever my family is. Some things are meant to be.... revealed! What's a secret you've been keeping? I’m really a cyborg sent back in time from the year 2089 to destroy mankind...but don’t tell anyone. Be cool, just be cool. Tickets for LITTLE WOMEN THE MUSICAL are on sale now through February 9, 2019: https://dime.io/events/little-women  What is your role in Little Women?
I play Beth March. Which March sister do you most identify with? I most identify with Beth. Like Beth, I'm very observant and enjoy helping others. I love playing the piano and wish I could spend as much time as Beth does playing the piano. I also admire Jo's desire for adventure and success just as Beth does. Little Women was written in the 19th century, but continues to be a beloved story. What do you think makes it so appealing? I think the story is so appealing because it deals with themes that are still relatable today. This young woman strives for success while staying true to who she is. She won't take no for an answer and continues to work for what she wants. Each sister has her own journey and path that it's easy to find aspects of each sister that we can relate to or create opinions of. Little Women is a story written about everyday people which wasn't common during that time but very relatable, and I think that is why the story has been so successful. Do you have a favorite story from childhood or a great book that you've read recently? One of my favorite books as a child was Junie B. Jones. I loved how upfront she was and the experiences she went through while in school. If I read those books now, I may not be a fan of her attitude, but reading about her chaotic adventures was nice getaway from my everyday life as a calm kid. Jo's sanctuary is her attic. Tell us about a place where you find sanctuary. I find my sanctuary on my yoga mat. I've been practicing yoga for over 3 years and am currently training to be a yoga instructor. My yoga mat is where I can find peace and balance when life feels chaotic. It's where I can reset and my desire to create refills. Some things are meant to be.... revealed! What's a secret you've been keeping? A secret that I've been keeping is that I should be in a boyband. I truly believe that if I took Zayn's place after he left One Direction, the band's success would grow beyond comprehension for having a woman in it. Tickets for LITTLE WOMEN THE MUSICAL are on sale now through February 9, 2019: https://dime.io/events/little-women LITTLE WOMEN THE MUSICAL
Music: Jason Howland Lyrics: Mindi Dickstein Book: Allan Knee Choreographer: Jeff Award winner Jenna Schoppe Music Director: T.J. Anderson Co-Directors: Stephanie Rohr & M. William Panek Celebrating its 150th year since publication, this timeless story is brought to life in this Broadway chamber musical filled with personal discovery, heartache, hope and love. Based on Louisa May Alcott’s life, Little Women the Musical follows the adventures of sisters Jo, Meg, Beth, and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested. Her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America. Under the co-direction of company members Stephanie Rohr & M. William Panek and music direction of artistic associate T.J. Anderson, Brown Paper Box Co.’s production will focus on their season's mantra of "back to the basics." This "theatre, plain and simple" approach will re-orchestrate the Broadway score for single piano, performed by artistic associate Justin Harner, to transport Jo's memories and the events of the musical into her childhood attic. AUDITION DATES Tuesday, September 18: 6:30pm-10pm Sunday, September 23: 10:30am-2pm CALLBACKS Tuesday, September 25: 6:30pm-10pm LOCATION Voice Power Chicago 1579 N Milwaukee Ave Unit 340, Chicago, IL 60622 PAY $150 stipend Type Restrictions None. Little Women the Musical will be comprised of a company of performers of varying generations, gender- and ethnic -identities. Must be a strong singing actor. ROLES Jo March (female identified) Our story's protagonist. Passionate, adventurous, and brave. To play 15-22 years old Vocal range top: A5 Vocal range bottom: E3 Professor Bhaer (male identified) German-born professor, now living in America, who exemplifies proper manners. Jo’s kind and intellectual writing mentor, and her future husband. To play 35 years old Vocal range top: F#4 Vocal range bottom: G2 Meg March (female identified) The world-weary, yet hopeful, oldest sister who yearns for a great life. Doubles as Clarissa. To play: 16-23 years old Vocal range top: Gb5 Vocal range bottom: A#3 Beth March (female identified) The second youngest sister who tragically dies of Scarlet Fever. Peace-maker, lover, and an optimist who is always encouraging her sisters to dream. Doubles as Rodrigo II. To play 13-20 years old Vocal range top: G5 Vocal range bottom: A3 Amy March (female identified) The youngest, most energetic sister with a rather pompous air about her. Doubles as Troll. To play 12 to 19 years old Vocal range top: Gb5 Vocal range bottom: F3 Marmee March (female identified) The girls' mother. She is the strong backbone of the family, who is courageous in spite of the difficult odds she faces. Doubles as Hag. To play 35-45 years old Vocal range top: Eb5 Vocal range bottom: Eb3 Aunt March (female identified) A formidable, over-bearing matron and great-aunt to the March sisters. The wealthy socialite in town. Doubles as Mrs. Kirk. To play 45 to 60 years old Vocal range top: F5 Vocal range bottom: E3 Theodore Laurence III (Laurie) (male identified) The bright-eyed boy-next-door with considerable charm. Eventually marries Amy. Doubles as Rodrigo To play 15-22 years old Vocal range top: Bb4 Vocal range bottom: Bb2 Mr. John Brooke (male identified) Laurie's tutor and a rather reserved and quiet, though hard-working man, marries Meg. Doubles as Braxton. To play 25 to 35 years old Vocal range top: F#4 Vocal range bottom: C#3 Mr. Laurence (male identified) Laurie’s Grandfather. Appears stern to most but develops a friendship with Beth. Doubles as Knight. To play 45 to 60 years old Vocal range top: D4 Vocal range bottom: C#3 TIME COMMITMENT Rehearsals: shooting to begin Nov 4. Sun-Thurs evenings. Skipping all major holidays and travel days. Tech: Sun, Jan 6 - Thur, Jan 10 @ Strawdog’s space (1802 W Berenice Ave, Chicago, IL 60613) Run: Friday, Jan 11 - Saturday, February 9 with some matinees MATERIAL TO PREPARE Please prepare 32 bars in the style of the show (modern Broadway) which demonstrates your range & vocal versatility. HOW TO REQUEST AN AUDITION SLOT Please email your head shot, resume, and availability across our 2 audition days to casting@brownpaperbox.org.  Hi. How’s it going? I’m Kristi Szczepanek. Artistic Director of Brown Paper Box Co. and resident Mama to all our company members. Before you settle in for this performance of EVERYBODY, have you gotten yourself a drink? Gone to the bathroom? (And washed your hands?) Great job!
If this is the first show you’re seeing with us, welcome to our corner of the theatre world! And if you’ve been here before, welcome back. It’s great to see you. From the minute we started reading this play, we knew wanted to produce it. Not only does it deal with huge, universal themes like death and what it means to live a full life (and honestly, who isn’t thinking about those right now?), five of the actors have no idea what character they’ll be playing from night to night. The mystery! The intrigue! I’m told honesty is important in leadership so if I’m being honest, those aren’t the only reasons we picked this show. We picked it for all of the above reasons of course, but also because times are tough for a non-profit theatre company and we knew it would be relatively inexpensive to produce. Part of our mission at Brown Paper Box includes smart, simple design because we believe that the story is the thing that should stand out. But even smart, simple design costs money. If you enjoy the show today, I hope you’ll consider tossing a few bucks in the donation bin on the way out. No donation is too small (and none is too large…) We appreciate each and every penny given to us. If you’re interested in becoming a season donor, please talk to the Box Office staff or visit our website at www.BrownPaperBox.org. We have some super secret perks that are only available to season donors and I promise they won’t disappoint! Above all, I hope this performance will spark great conversation for you in the coming days. Whether it’s with the person you came with or the friends you’ll tell to see the show (please tell your friends!) We could all use a little more conversation with each other and I think this show has some pretty big ideas to unpack. Thank you for coming. We appreciate you. Enjoy the show! - Kristi Szczepanek |
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